When we talk about the lack of representation for marginalized groups in media, we often make creating new characters and stories synonymous with meeting the need for greater diversity. This is, undoubtedly, vital to the continuing evolution of art and entertainment in a changing culture that is moving towards a more accurate and inclusive reflection of its audiences. But just as vital is revisiting classic works for new (or, as the case may be, very old) interpretations of who the characters are. Being the default is the nature of privilege, which in US culture looks like being white, male, able-bodied, cisgender, straight, thin, Christian, etc. etc. until proven otherwise. Thus, fictional characters are often presumed to fit in this intersection of identities unless explicitly characterized as other– and are often cast in spite of being characterized as other. So it was a surprise but hardly a shock when I stumbled across an article at Slate suggesting that Shakespeare could have written Hamlet with the intention he be played by a fat actor. In every representation I could think of, Hamlet has been played by a relatively thin actor. The photos of Hamlets in the article start with the angular Benedict Cumberbatch, and don’t include the film versions starring Ethan Hawke, Kenneth Branagh, or Mel Gibson. The article does, however, make an interesting argument based in the text for Hamlet to be fat and ends with an interpretation the kind of which I try to get at in my writing here on CPBS. Check it out.