I’ve had a busy week, but better late than never! Here’s a summary of fat characters in films I saw over the past month but didn’t write about.
The Lady Eve (1941, dir. Preston Sturges)
Classic screwball romantic comedy in which con artist Jean (Barbara Stanwyck) tries to swindle wealthy nerd Charles (Henry Fonda) and loses her heart in the process. Two father figures in the movie are fat men: the Colonel (Charles Coburn), Jean’s partner in crime who pretends to be her father, is debonair yet heartless; Horace (Eugene Palette), Charles’ tycoon father, is a blustering blue-collar type who made a fortune by brewing the Ale that Won for Yale.
Midnight Special (2016, dir. Jeff Nichols)
In this moody sci-fi drama about a Kid with Powers, there’s a small role of a child psychologist (Dana Gourrier) who is a competent, serious professional who does her job in an intense, high-security military setting and just happens to be fat. And that’s it. Which is fine by me.
Faces (1968, dir. John Cassavetes)
Dang, this is a good movie. A cinema verite look at a crumbling marriage over the course of a night, as Richard (John Marley) spends the night with Jeannie (Gena Rowlands) a sex worker he frequently patronizes, while his wife Maria (Lynn Carlin) picks up Chet (Seymour Cassel) a playboy she and her friends meet at a club. Although all the characters in the film are portrayed as lonely people desperate for some way to remedy the emptiness of their lives, a few fat minor characters come across as particularly pathetic. Maria’s friend Florence (Dorothy Gulliver) practically begs Chet to pay attention to her, while two of Jeannie’s other clients (Fred Draper and Val Avery) become angry to the point of aggression when threatened by Richard’s presence in Jeannie’s home.
Ma Vie en Rose (1997, dir. Alain Berliner)
This is a sweet film about Ludo (Georges du Fresne), a transgender 7 year old who wants to be accepted as a girl. Unsurprisingly, this is easier said than done, as her family and community react to her love of dresses and dolls with confusion and disapproval. The repercussions of transphobia on her family as a whole largely come from Albert (Daniel Hanssens), a fat man who is Ludo’s father’s boss. He is rather conservative, and is scandalized when Ludo holds a play-wedding wherein she “marries” his son Jerome (Julien Riviere), putting her father’s job in jeopardy.