Historical vs. Modern Abortion Narratives in Dirty Dancing (1987, dir. Emile Ardolino) and Fast Times at Ridgemont High (1982, dir. Amy Heckerling)

Check out my article on BitchFlicks for their current theme week: Ladies of the 1980s, where I compare two abortion narratives in mainstream Hollywood films of the 1980s and how their historical settings take them in different directions.  It’s not about fat characters (sadly, I couldn’t find a graceful segue to talk about Wayne Knight’s role as the obnoxious master of ceremonies in Dirty Dancing), but looking at how movies portray medical procedures with cultural baggage isn’t too far removed from how movies portray bodies with cultural baggage.  I’ll get you next time, Wayne.

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