A summary of fat characters in films I saw over the last month but didn’t write about.
This is Spinal Tap (1984, dir. Rob Reiner)
Reiner inserts himself in this classic mockumentary as documentarian Marty diBergi, both a dorky outsider to the world of rock and the frequent reminder of the real world outside the band’s bubble where they aren’t the hallowed rock gods they position themselves as. Other fat characters include the band’s creepy keyboardist Viv Savage (David Kaff).
Groundhog Day (1993, dir. Harold Ramis)
Buster Green (Brian Doyle Murray) is the master of ceremonies for the Groundhog Day ceremony who becomes part of Phil’s time loop routine when he chokes on a piece of steak and must be saved via the Heimlich maneuver (presumably many, many times). Gus (Rick Ducommun) is a blue collar townie with whom Phil gets drunk (also, presumably many, many times).
Hail, Caesar! (2016, dir. Joel and Ethan Coen)
A fair number of fat characters are in this sprawling cast, from a beleaguered bartender in the sailor dance number “No Dames!”(E.E. Bell) to a nefarious extra (Wayne Knight) to professional person Joseph Silverman (Jonah Hill).
Toy Story 2 (1999, dir. John Lasseter, Lee Unkrich, Ash Brannon)
Al (Wayne Knight) is the main antagonist of the film. Although he owns a toy store, he hates children, is greedy (stealing Woody from the yard sale even after Andy’s mom insists he isn’t for sale), lazy (complaining about having to drive to work that is literally across the street from his building), and represents a misguided approach to toys (wanting to preserve them in pristine condition instead of loving and playing with them). The Prospector/Stinky Pete (Kelsey Grammar) is also an antagonist, wanting to go along with Al’s plan to sell the toys to a museum in Japan because he’s never been taken out of the box. Keeping toys in the box is positioned as wrong or sad in the film, but for the Prospector, it’s the best option.
Drag Me to Hell (2009, dir. Sam Raimi)
Christine (Alison Lohman) is the typical thin, blonde protagonist of a horror film. Although the plot focuses on her struggling against a demon summoned to stalk her by a curse, her defining character trait is attempting to reinvent herself and run from her past as a fat girl who grew up on a farm in the South.
On the Waterfront (1954, dir. Elia Kazan)
This classic film follows the struggle of dock workers under the thumb of a mobbed-up union boss, Johnny Friendly (Lee J. Cobb), one of whose thugs is a fat man.
Casablanca (1942, dir. Michael Curtiz)
Fat characters include Carl (S.Z. Sakall), a good-natured waiter at Rick’s cafe, and Ferrari (Sydney Greenstreet), who runs the black market in Casablanca and has access to highly desirable exit visas.